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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>Marvin X, Black Educational Theatre, 1972, San Francisco</image:caption>
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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>Founder of New Lafayette Theatre Robert Macbeth. Courtesy of The New York Times.</image:caption>
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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>View of IS 201, Curtis and Davis, 1963. Credit: Office of Civil Defense, Department of Defense, “New Buildings with Fallout Protection” (Washington, D.C., 1963), 20–23. A copy of the drawing is in the National Archives.</image:caption>
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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>Agnes de Mille’s Black Ritual (Obeah) for Ballet Theatre, 1940.</image:caption>
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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>Courtesy of: Clementine Hunter ((1886 or 1887–1988), c. 1972</image:caption>
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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>Still from Jake Meginsky and Neil Young’s Milford Graves: Full Mantis</image:caption>
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      <image:title>The Subject - THE BLACK RITUAL THEATRE - Make it stand out</image:title>
      <image:caption>A drawing of Nat Turner</image:caption>
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      <image:caption>James Baldwin’s home in the South of France</image:caption>
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      <image:caption>The cast of ‘Noah’s Arc’ during its original mid-2000s run. From left are Christian Vincent (Ricky), Rodney Chester (Alex), Darryl Stephens (Noah) and Doug Spearman (Chance). (Photo courtesy LOGO)</image:caption>
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      <image:caption>Paris is Burning, 1990</image:caption>
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